We Were Liars [Review]

Title: We Were Liars by E. Lockhart 
Genre: Contemporary Fiction
What They Say:
A beautiful and distinguished family.
A private island.
A brilliant, damaged girl; a passionate, political boy.
A group of four friends—the Liars—whose friendship turns destructive.
A revolution. An accident. A secret.
Lies upon lies.
True love.
The truth.

We Were Liars is a modern, sophisticated suspense novel from National Book Award finalist and Printz Award honoree E. Lockhart. 

What I Say:
I finished reading this book at about 4 a.m. in an absolute puddle of tears, and almost got right online to start this review before I realized how exhausted I was. I picked up this book with no idea of its premise and was pleasantly surprised at first to see that it falls into one of my favorite YA subgenres - books about classy rich kids. But this book is so much more than just that; so much crisper and quicker, so much lovelier, and so much more devastating. This book had an old money family, amnesia, and a love that spans both years and universes. That said:

Rating: 5 out of 5 stars

Plot: wow

Cadence is a Sinclair. The Sinclairs are an old money family that dates back to the Mayflower. Sinclairs are beautiful, they're tall, they're white. None of them are flawed, none of them are failures, none are criminals. To the outside world, at least. Cadence's grandfather owns a small island off of Massachusetts, a gorgeous idyll where Cadence, her mother, and her aunts' families have spent every summer since she was little. It's a place where Cadence, Johnny, Mirren, and Gat - the Liars - have been free and have been silly and have grown together, these three cousins and Johnny's best friend, who Cadence falls more in love with day by day. Except, after her accident during her 15th summer, Gat doesn't contact her once. Cady spends two years plagued by crippling migraines from the head trauma of this accident - the details of which she can't even remember, along with that whole summer - without even a word from him. Her should-be perfect life has mostly unravelled by the time she finds herself on Beechwood Island for her seventeenth summer. She is determined to find out how her accident occurred and what happened during summer fifteen that no one is willing to tell her. But maybe it's best she doesn't know.

Reading stories about “Classy Rich Kids” adds another layer to the fantasy of YA escapism. Books like this aren’t the kind where you connect to the main character and go on a journey with her; in this sub genre, you accept that you’re reading about complete strangers, and you’re constantly peeking curiously in on them through a window. This story flows so smoothly and hazily between past and present, a mystery in which each puzzle piece will click into place if only you are patient. Despite disconnecting with the lifestyle of the characters, you really feel Cady's veiled frustration at her own lack of memory and mental strength in the wake of her migraines and being heavily medicated - and as the underside of the perfect Sinclair family is slowly revealed, you find that you actually do connect with each of the four Liars. And suddenly you find yourself feeling for these strangers who at first you thought shouldn't complain so much. More cynical readers will claim they knew what the big final secret was all along, but although I thought I did early on, I truly did not. And it will hit you like a ton of bricks, trust. 

Characters: wow

Cadence was a wonderful protagonist. While of course she embodies the "teen girl crushed by family's expectations" trope, I didn't mind a bit. Because of her accident, she's been caught in this state of arrested development, trapped reliving (or not reliving) a summer when she was fifteen until she can finally move past it. Maybe I was too absorbed in the mystery to notice any glaring issues with her narration, but I enjoyed it a great deal. It was light and flowery at times, like the lines in the fairy tales she so often rewrites throughout the book. She works through the issues of her life through these little interval legends, because her life is meant to resemble one.

This book needs a character like Gat - the tenchically-outsider who dares to whisper that, you know, not every family has a private summer island off Massachusetts, and that people out there have it much worse than they do, to which the three others lightheartedly reply: "Stop talking, now", "Stop talking, forever", "I'll give you more chocolate if you shut up"- a simple moment that perfectly illustrates that inability/unwillingness to process certain ideas and truths that are uncomfortable - a theme that rears its head again later in a much more devastating way. In a way, clever, poor Gat is the undoing of the Sinclair family's life of splendor and almost almost-Aryan purity, in an entirely necessary way.

Mirren and Johnny started off as stock-beautiful and carefree cousins. And to be fair, for the most part they are. They help to add, however, to the calm and beautiful atmosphere of the book (if a book can have an "atmosphere"). Reading about them was like reading about the surf rising on a cool beach, these two cousins who spend schoolyears being successful and friendly and who come back each year to the island to spend months lying in the sand and wading in cool water. Sometimes, I was suspicious of how neither character has much motivation - in that they didn't seem to "want" anything, the way every character in a story must - but in that they resemble the kids they are, in the summer at least. Whatever they want in life can always wait for another, less-sunny day.

Relationships: ooh
Gat and Cadence remind me a lot of how summer-camp infatuations go - they're together in the vacuum that is Beechwood Island for a summer, and then suddenly they're apart and Cady doesn't hear from him a single time for two years. And then, as soon as she's back on the island, there he is as if no time has passed at all. Gat's worldly mindset and high empathy for others slowly pulls the three cousins - but Cady in particular - out of their fantasy-world of privilege and splendor, and I appreciate him for that.

Special Features: ooh
This feature isn't exactly special, but I liked the interconnecting family structure of this story, which even starts out with an illustrated Sinclair family tree. There's Cadence and her mother Penny, then her mother's two sisters Bess and Carrie (Mirren's and Johnny's mothers, respectively), then of course Cady's grandfather Harris. Gat is Johnny's mother's boyfriend's nephew, who is part Indian, which makes him stand out easily against the all-white background of the Sinclairs. Then there are the "littles" who are Bess and Carrie's other children, who are mostly background noise save important moments of clarity throughout the story. I have a very small family myself, so I like to see the complex dynamics that arise between so many people stuck on such a small island for three months a year.

Parting Quote:

    "Someone once wrote that a novel should deliver a series of small astonishments. I get the same thing spending an hour with you. Also, here is a green toothbrush tied in a ribbon. It expresses my feelings inadequately." 

So many of Gat's lines made me do a little goofy smile

Perfect Chemistry [Review]

Title: Perfect Chemistry by Simone Elkeles
Series: Perfect Chemistry #1
Genre: Contemporary Fiction
What They Say:
When Brittany Ellis walks into chemistry class on the first day of senior year, she has no clue that her carefully created “perfect” life is about to unravel before her eyes. She’s forced to be lab partners with Alex Fuentes, a gang member from the other side of town, and he is about to threaten everything she's worked so hard for—her flawless reputation, her relationship with her boyfriend, and the secret that her home life is anything but perfect. Alex is a bad boy and he knows it. So when he makes a bet with his friends to lure Brittany into his life, he thinks nothing of it. But soon Alex realizes Brittany is a real person with real problems, and suddenly the bet he made in arrogance turns into something much more.

What I Say:
I've known vaguely about this book for a while now. I'd heard mildly positive things about it and the book trailer was pretty brilliant (haha), but the premise was so cliche that I couldn't bring myself to pick it up. But with exams coming up, I was looking for something short and simple to read, so I decided to give this Romeo and Juliet reboot a chance. While on the surface it was the same-old-story I expected, deeper down it was refreshing and unpredicatable and I set it down feeling oddly impressed. That said...

Rating: 3 out of 5 stars

Plot: ooh

Brittany is perfect. Really, she says so maybe thirty times in the first chapter. She's has money, clothes, friends, everything. Her life, however, is not so perfect. Her sister has cerebral palsy, her mother's always critiquing her, and her dad's never around, and her boyfriend's gotten pushy over the summer. Oh the horror! Alex is far from perfect. He's in a gang, his grades are terrible, and did he mention he's in a gang? But it's all an act, really. Alex only joined the gang to protect his little brothers after his father died, he's working hard to be the first in his family to graduate high school. Brittany would never even go near to a thug from the south side of town, and Alex wouldn't be caught dead with a preppy north side princess. When they step into their senior Chemistry class, however, all that changes. Assigned to sit together for the whole year, these sworn enemies will have to get along if they want to pass. Falling in love, though, was never part of the plan.

Yeah, it's one of those books, haha. The first hundred-or-so pages had me on auto-cringe. Alex and Brittany play caricatures of themselves for the longest time, until they finally drop their defensive walls and actually get to know each other. The alternating POV chapters added to the ABC Family flick feel, but it smooths out as it goes. Because this is one of those books, I knew how it would end before it even started, but I was not disappointed by the path from point A to point B. I was actually surprised a few times. To touch on the ending, I mean, sure I knew how it would end, but Elkeles really cranks up the cheese dial in the last few pages. The crazy this is that it didn't even bother me! At that point, the crazy-happy ending was totally welcome.

Characters: ooh

I get that Brittany was a "real girl" and had "real problems", but she was pretty whiny and waify nonetheless. Not always - she had some pretty hardass moments - but most of the time, yeah. Oddly enough, much like the cheesy ending, she kind of made me roll my eyes and smile at the same time. She's not going to win Protag of the Year, and she isn't doing feminists any favors, but she definitely played her part well.

Alex didn't ellicit any eye-rolls, but he went from I'm-such-a-hardass to I'm-so-overly-serious a little too often to make him totally likeable. Luckily, his internal prize wheel finally slows down near the end, landing on - I don't know - one of the good prizes. I'm working on my metaphors, so bear with me, haha.

Relationships: ooh
Brittany and Collin - Because this was one of those books, I knew right away that this relationship would appear perfect but actually suck beneath the surface and that they'd eventually have one of those messy breakups that'd drive her into Alex's arms. I was right about that. Crept into Afterschool Special territory with the whole pressuring-boyfriend storyline, but ah well. At least it ended fast.

Brittany and Alex - After the drawn out Darcy Phase, this relationship really drove the story. Outside of the drama etc caused by it, though, it wasn't terribly interesting. I mean, yeah I get that he's a Montague and you're a Capulet, but do you have to be so tragic about it? No, ya don't.

Special Features: ooh
When I say one of those books, I'm referring to one of those new-twist-on-an-old-tale books. This one's Romeo and Juliet at the heart, but it's more West Side Story than "Palm to palm is holy palmer's kiss". I can't say I'm a big fan of this kind of book, but I can't deny that life imitates art from time to time, and some themes are universal and therefore doomed to show up in every other YA novel, haha.

Parting Quote:

"Makin' mistakes ain't a crime, you know. What's the use of having a reputation if you can't ruin it every now and then?"

Yeah...one of those books. 

My Heartbeat [Review]

Title: My Heartbeat by Garret Freymann-Weyr
Genre: Contemporary Fiction
What They Say:
As she tries to understand the closeness between her older brother and his best friend, fourteen-year-old Ellen finds her relationship with each of them changing.  

What I Say:
I don't entirely understand why, but I have loved this book since forever. Literally. Like, if West Virginia would go ahead and legalize interspecies marriage, I would soo be making my case that books are living creatures and lobbying at Congress and moving to West Virginia and all that just so I could be eternally bonded to the teenage dream that is My Heartbeat. I re-read it every year around Christmas because I suddenly remember that it's been a year since I last read it. It's that good. The weird thing, though, is that if I took a step back and really analyzed the quality of Freymann's writing the way I do with other books, I could probably find something to criticize. But I just can't bring myself to do that. That's how much I love this book. It's pretty much the ultimate young adult New York City-in-the-winter Like story with a happy ending. Swoon. That said...

Rating: 5 out of 5 stars 

Plot: wow
I was so surprised that Goodreads only had a one-sentence summary for this book. It sounds so blah when you put it that way. There is, like, zero mention of James's gorgeousness. Sigh. Let me put it straight for you. Meet Ellen. She's about to be a freshman in high school. Link is Ellen's older brother. He and his best friend James are about to be seniors. Ellen is totally madly in love with James. They are all, these three, very classy kids. At school, Ellen starts to realize that the girls are all either in love with James or her brother. Ellen doesn't see the fuss, as she has had exclusive access to both boys as long as she can remember. Link has always been her brother. Ellen has always loved James. James has always loved her, in his way. But after a passing comment from a classmate ("They're like a couple, aren't they?"), she begins to wonder if it's possible that Link and James might love each other as well.

This story can be taken two ways, which is nice. When I first read it, I was happy to see James and Ellen together, because she is the main character and I love a good non-gooey Like story. But when I re-read it now, I'm just sad that he isn't with Link, which is the real point of the book: things fall apart and people are complicated and all that. Bittersweet is the word. Also, characters with daddy issues (Jace Wayland, Percy Jackson, Oscar Banks, etc) are always especially snarky, I find. And ohh boy, there are daddy issues everywhere in this one.

Characters: wow
Ellen reminds me a bit of Charlie from The Perks of Being a Wallflower. Sometimes she seems to be mature beyond her years, and other times I'm surprised by how naive she is. I feel like every use of the word totally was like Freymann remembering Oh, right, Ellen's only fourteen. It's alright, Freymann, I liked her narration. Even if it's probably given me an unrealistic idea of New York City and its love magic.

I hate to call Link McConnell a drama queen, but in retrospect he kind of is. Albeit a brooding, resentful, oddly appealing, hyperintelligent one. The guy can teach himself fractions at age nine but can't think of non-spiteful ways to deal with his father. In that way, he is very much like James. Like I said, daddy issues abound. Though I seriously approve of his taste in films.

Now James is like a puppy who's been abandoned, but not so recently that he needs a hug or anything. He has this way with words (though I suppose it's really Freymann's way with words) that just kills you. Gahh, it's lovely as hell. Like, put-down-the-book-and-sigh lovely. Like, tea-on-Easter lovely. Anyway. He's a lot like Link, which is probably why they're best friends, but where Link is allergic to confrontation (much like Ellen) and therefore passive-aggressive to the max, James may be the chillest thing there ever was. He doesn't need to fret about the unwritten rules of society because they don't necessarily apply to him, being rich and beautiful and endlessly fascinating. Moral of this story: money solves everything. Nahhh, kidding. Wouldn't that be awful?

Relationships: wow
Link and James - Hmm, does it count as a relationship if it largely rooted in denial and resentment and jealousy and fear? Why yes it does. True Like is complicated, my friends.

Ellen and James - This relationship is much, much simpler by comparison. While Link and James only kept Ellen around to prevent awkward moments and crossed boundaries, at some point James realized Ellen was totally madly in love with him and well, girls have interesting qualities too, right? To be fair, Ellen and James are perfect for each other. They're both sooo classy. Seriously. Oh my god, it's insane.

Special Features: ooh
The city! Again! You can never read too many novels about the city. Fact. Or new money families who live in the city, high on cash but low on love for their kids. And everyone likes a nice little tale about sexual identity and finding your place in the world and getting your daddy to love you (haha, well sort of!). Ugh, but I hate the cover. I don't know, Keith Haring's art doesn't impress me much.

Parting Quotes:

   "I don't want to sleep with a girl," I say. "I love James."
   This is why no one in my family ever says anything. Look at the way private - totally and irrevocably private - things just slip out.
   "I mean, not really," I amend hastily. "I just think so."
   "This vacillating affection appears to run in the family," Dad says, signaling for the check.

 Sigh... I just want to lie in a bed of money and dream of tea and romance and That Hamilton Woman.

Girl Parts [Review]

Title: Girl Parts by John Cusick
Genre: Contemporary Fiction/Science-Fiction
What They Say:

What happens when a robot designed to be a boy’s ideal “companion” develops a will of her own? A compulsively readable novel from a new talent.
 
David and Charlie are opposites. David has a million friends, online and off. Charlie is a soulful outsider, off the grid completely. But neither feels close to anybody. When David’s parents present him with a hot Companion bot designed to encourage healthy bonds and treat his “dissociative disorder,” he can’t get enough of luscious redheaded Rose — and he can’t get it soon. Companions come with strict intimacy protocols, and whenever he tries anything, David gets an electric shock. Parted from the boy she was built to love, Rose turns to Charlie, who finds he can open up, knowing Rose isn’t real. With Charlie’s help, the ideal “companion” is about to become her own best friend.

What I Say:
I've had my eye out for Girl Parts since summer, so I was pretty psyched to pick it up once it rolled into the library. Despite the intriguing premise, I was reasonably underwhelmed by this one. I mean, a story about robots should be interesting, right? That said...

Rating: 2 out of 5 stars

Plot: ooh

So these two boys go to the same Catholic school, but are in completely different socials groups. David is the rich, popular playboy whose parents think he's disassociated because he watched one of his classmates commit suicide on the internet and hardly batted an eyelid. Charlie is the nature-loving outcast who doesn't want friends - at least, not friends like David. David thinks he's hit the jackpot when his parents buy him a female robot to teach him to form connections, but he gets a shock whenever he tries to make a move on her. One of these days, however, he is determined to get to those girl parts.

This story had a lot of promise, but while it had some mild highlights, it was a good 95% boring. Reading about a priveleged kid with no real problems and a less-priveleged kid with no real problems can only fascinate me for so long. Especially when not one of the characters has any handle on wit or snark. I mean, there was wannabe-snark, but YA is just a mess without the real thing. Real life is about zingers and sarcasm! Ha.

Characters: meh

David was so thoroughly the jerk-who-sort-of-grows-feelings. Cusick really stuck to his clichés in this book. I guess it was nice that he didn't make some magical Jerkass-to-Gentleman transformation at the end, but at least then the story would have had a point...

Charlie was...oh, sorry, I just fell asleep. Rule #1 to Being An Outsider: one must be intriguing and/or mysterious at all times. Charlie definitely broke that rule. How can he look down on all the rich kids when he's just as dull as they are? Other clichés perpetuated: boy is nobody, boy can't talk to girls, boy somehow gets above-average girl anyway. Oh, John, why?

Relationships: meh

David and Rose - Boohoo, my killer 16-year-old charm isn't getting me some, sooo I'm going to be a jerk and throw out the girlfriend my daddy had to buy for me. My life is sooo hard. Boohoo, I'm a Japanese robot who has apparently been programmed to worship this 16-year-old boy That's not weird at all...

Charlie and Rose - Yay, I just got my first kiss. Who cares if it's with a malfunctioning Japanese robot? I laugh at those dumb rich kids whose parents buy them sex dolls, but it's actually totally normal! (Sigh.)

Special Features: ooh

Well, despite the fact that the robot in this story was pretty dull, it was an interesting angle to take. A main love interest who isn't technically real? A for effort on the idea, Cusick. I see where you were trying to go with that.

Parting Quotes:
I tried realllly hard to find a cute/interesting/snarky quote from this book but I simply couldn't. Though perhaps I'll find one on the re-read and add it later.
 

The Boyfriend List [Review]

Title: The Boyfriend List by E. Lockhart
Series: Ruby Oliver, #1
Genre: Contemporary Fiction
What They Say:
Ruby Oliver is 15 and has a shrink. She knows it’s unusual, but give her a break—she’s had a rough 10 days. In the past 10 days she:
 
lost her boyfriend (#13 on the list),
lost her best friend (Kim),
lost all her other friends (Nora, Cricket),
did something suspicious with a boy (#10),
did something advanced with a boy (#15),
had an argument with a boy (#14),
drank her first beer (someone handed it to her),
got caught by her mom (ag!),
had a panic attack (scary),
lost a lacrosse game (she’s the goalie),
failed a math test (she’ll make it up),
hurt Meghan’s feelings (even though they aren’t really friends),
became a social outcast (no one to sit with at lunch)
and had graffiti written about her in the girls’ bathroom (who knows what was in the boys’!?!).

But don’t worry—Ruby lives to tell the tale. And make more lists.

What I Say:
I have been wanting to start reading this series ever since I finished The Disreputable History of Frankie Landau-Banks and decided that E. Lockhart is kind of umm awesome. This book has houseboats, misadventures, and overpriveleged prep-school kids. That said:

Rating: 3 out of 5 stars

Plot: ooh

So yeah, Ruby Oliver has a shrink. A shrink who asks her to write a list of all the boys in her life. It's fifteen boys long - which, yeah, makes her look like a slut - but it's not like that! Some of these are boys who she only ever talked to, some are boys she just watched from afar and (well, that's not making it look much better, is it?) Talking through the Boyfriend List is supposed to be helping Roo get to the source of her recent panic attacks in the wake of being dumped by her boyfriend, who then took up with her best friend, but this List just seems to be making things worse! The lives of teenage girls are so complicated and embarrassing!

I'll admit, that's not a very good synopsis of this book, haha. It's hard to summarize, mainly because the book is linear is some ways and cyclical in others. The linear story is about Ruby's sessions with her shrink, but each boy gets his own story within that story, and sometimes there's another story that's not exactly related to one of the boys, but finds its way in there too. (Phew.) Despite how hard it is to sum up in 5-10 sentences, I greatly appreciated the way Lockhart told this story. While I've liked how teenagers are genuinely portrayed in some of my other reviews, I was especially impressed by how genuine Ruby's voice is for a teenager and a human being. It starts on one subject, then peters out into stream of consciousness, then refocuses around some new plot point, adding side-commentary in the form of sporadic footnotes, and sometimes forgets about the original subject altogether. Ruby's narrative is one of the few I've read that truly gives me the feeling of seeing into someone's mind.

Characters: ooh
Despite (or perhaps because of) the fact that I liked Ruby so much, the other characters ranged from blah-to obnoxious in comparison. Except Ruby's sort-of-friend Noel, but he's only in there 20 pages tops. Ruby is funny, at times immature, but also capable of self-reflection and admission of (but not angsting over) her flaws. Her friends seem silly and shallow, her boyfriend is only very cool sometimes, and her parents need shrinks more than she does. Oh wait! No wonder I felt that way about all the other characters? That was the author's intention? (And this, dear reader, is why E. Lockhart is so great.)

Realtionships: ooh
Ruby and Jackson -  For all those boys on her list, Jackson is the only real boyfriend out of the bunch. Because this relationship is over from page one, and it's all told in flashback, I didn't get my hopes up for a quickie get-back-together on the last page (though Ruby certainly did). Lockhart teaches the reader a lesson in disillusionment through Ruby, who thinks Jackson hung the moon even after he dumps her, only to slowly begin to see his faults and finally discover the truth about what kind of guy he is. Buuut, because this is a series, I can't totally write these two off.

Ruby and Noel - So, Noel is the boy in Ruby's art class who is sort of amazing in general. I'm crossing my fingers for these two in the next books, even though there's been like zero foreshadowing on that, and I'm probably just being silly. He's sooo cool, though.

Special Features: ooh
Other than Gail Giles's Right Behind You, this is the only book I've read told mostly through the protag's sessions with a shrink. There's something different about a book in which the audience has been replaced by a single person, or idea of a person. I wonder if the rest of the series will stick with this format or switch it up. We shall see.

Parting Quotes:

I got a lecture about behavior and how if we wanted boys to be gentlemen we should act like ladies, which was idiotic because we didn't want the boys to be gentlemen. We wanted them to think we were pretty and ask us to dance and hold our hands and maybe kiss us in the corner and then send us clever instant messages.

Ruby Oliver: just like you!

It's Kind of A Funny Story [Review]

Title: It’s Kind of A Funny Story by Ned Vizzini
Genre: Contemporary Fiction
What They Say:
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life, Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy.

At his new school, Craig realizes that he's just average, and maybe not even that. The stress becomes unbearable and Craig stops eating and sleeping -- until, one night, he nearly kills himself. 

Craig's suicidal episode gets him checked into a mental hospital. There, isolated from the crushing pressures of school and friends, Craig is finally able to confront the sources of his anxiety. Ned Vizzini, who himself spent time in a psychiatric hospital, has created a moving tale about depression, that's definitely a funny story.


What I Say:
If I were to write a list of things I don’t like doing, somewhere on there would be reading a book after I’ve seen its film adaptation. Maybe it’s my book snob side, but when people tell me they’re doing that, I always wonder where they were three years ago when the book actually came out. So this particular book has been made into a film (in theatres October 8) and I was determined to read it before I watched it. For the subject matter, this book was strangely funny and heartwarming. That said…

Rating: 3 out of 5 stars

Plot: ooh
So there’s this boy, Craig. He’s depressed. Why? He spent a year studying for the entrance exam of one of the most prestigious high schools in the country, where the elite train to become tycoons and presidents and stuff. But Craig isn’t an elite. He isn’t a genius. He’s just an average kid, and it shows at Executive Pre-Pro. His best friend smokes pot and still aces exams without lifting a finger, the girl he loves is all over said best friend, and Craig hasn’t been able to keep down a meal in weeks. As the workload and pressure at school increase, he begins to spiral into a depression which leads to a five a.m. phone call to the Suicide Hotline. And that's all before he checks into the mental hospital…

While the overall plot of this book was good, it’s clear that Vizzini wrote this story around his characters. I actually really appreciated it. Of course I like a good story, but when it comes to contemporary fiction, I feel like everything’s been done at one point or another (and if it hasn’t, it’s probably ridiculous à la Flowers In The Attic, haha). However, I feel like there are endless combinations when it comes to characters, just like there are endless combinations with real people, so I think Vizzini made the right choice here. The story, after all, is based on his own stay in a mental hospital, so his deepest impressions would have come from the people he met, not the things he did there.

Characters: ooh
I liked Craig. I could respect him. He has a whole host of problems and talks about them at length, but for the most part he doesn’t sound like a whiner. I liked how Vizzini didn’t make him total nutcase to begin with, because I don’t think I would have sympathized with him as much if he were. Not because he was crazy, but because it wouldn’t make sense for him to have been living such a normal life before; he’d seem like a brat who didn’t want help.

I didn’t not like Noelle. I did like her. But outside of Craig, she didn’t have much to her. Though, because of how the story strongly focuses on Craig, this is the same with most of the other characters, too. An upside to this is that what we do hear about every character are always their most interesting traits and best moments.

Relationships: wow
Craig and Noelle - I loved this relationship. It was so straightforward and functional. All relationships should be like this one, haha. Okay, so maybe it was the very best relationship I ever read, not at all. But I’ve read so many overcomplicated love-like stories, that this one was at least refreshing. And who doesn’t love it when the guy gets the girl at the end?

Special Features: ooh
So this whole book is written about mental problems (it’d be weird if it weren’t…). It’s interesting stuff, not that that’s a surprise or anything. Also, I’m a sucker for a kid born and bred in New York City. Also also, the boy playing Craig in the film is kind of adorable.

Parting Quotes:

“Oh. Right. Ah…are you straight?”
She sighs. “Yes. Don’t get too excited. You don’t have a boner, do you?”
"No!” I cross my legs. “No. … Do you have to wear uniforms?”
“Are you like a school-uniform pervert?”
“No. Well…no.”

I love these two, tee hee.

The Duff [ARC Review]

Title: The Duff by Kody Keplinger
Genre: Contemporary Fiction
What They Say: 

Seventeen-year-old Bianca Piper is cynical and loyal, and she doesn't think she's the prettiest of her friends by a long shot. She's also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her "Duffy," she throws her Coke in his face.

But things aren't so great at home right now. Desperate for a distraction, Bianca ends up kissing Wesley. And likes it. Eager for escape, she throws herself into a closeted enemies-with-benefits relationship with Wesley.

Until it all goes horribly awry. It turns out that Wesley isn't such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she's falling for the guy she thought she hated more than anyone.  

What I Say:
So, this is the first ARC I've ever gotten to review, so I was excited to be delving into a book before its release date (September 7, don't forget!) Being an 18-year-old author, Kody Keplinger provides her readers with a refreshing, genuine teenage narrative and a snarky yet impactful storyline. That said...

Rating: 3 out of 5 stars

Plot: ooh
Bianca is the Duff of her group of friends, says Wesley Rush one night at the local teen club. The Designated Ugly Fat Friend. Bianca hates Wesley. Popular, good-looking, slutty Wesley. But the more she thinks about this Duff thing, the more she believes it. With two gorgeous blonde best friends, how can she not? She knows she'd never have a chance with a guy like Wesley - not that she'd want one - which is why when things start going downhill at home, she shocks herself by kissing him. The kiss is the perfect distraction, and she finds she wants more. One hookup becomes two, becomes three, becomes an almost daily thing for Bianca and Wesley, but she never forgets her guidelines: he is the playboy, she is the Duff, and neither of them has feelings for the other. Or do they? Also, what will Bianca do when her secret life begins to distract her from a new real relationship with someone else?

I just plain old liked this story. Sure, it's all laid out for you and the back cover pretty much gives away the ending, but I think the author knows that. This point of this story isn't if Bianca will get from A to B, it's how she does it. Knowing how it would turn out, I found myself wondering after each new element was introduced, How are they going to end up together after this? While this story probably encourages those (usually) annoying girls who think they can "change" the bad boys in their lives, I enjoyed this book too much to rant and rail about it.

Characters: wow
Oh, Bianca.  I love a solid, level-headed, snarky protagonist. She reminds me a bit of myself, and I'm sure any teen reader will see some part of themselves in her as well. Bianca is presented with hurdles in her life, but does she whine and cry and scribble about it in her diary? No, she deals with them (though one - not me - could argue the intelligence of her choices). Personally, I think YA lit could use more Biancas and fewer Bellas.

Wesley is sold to us right away as the arrogant jerkass, which he is. But (at the risk of sounding horribly cliché) there's more to him than that. Keplinger writes Wesley as Exhibit A to the argument that a person can be more than one way. It's sounds so simple, but people seem to forget it. Wesley's a jerk, but he's also compassionate. He's a bad guy, but he's a good guy, too. Just like all of us, and everyone we know,

Relationships: wow
Bianca and Wesley - While I wouldn't call it (at first) a relationship so much as a string of relations, you can't deny that these two kept me turning pages just to see how on earth they could end up together at the end. They'll have a conversation and I'll think, Oh, here's the turning point, and then a few pages later they'll push each other even further away. You start to lose hope for them after a while, haha.

Bianca and Toby - These two are the model of the perfect relationship, or what would be perfect for Bianca, before her relationship with Wesley begins to change her way of thinking. While this relationship isn't the most interesting in the book by far, it shows Bianca (and the reader) how her idea of perfect isn't the same as what she really wants.

Parting Quote:

 "I told you, I'm awesome at everything," he [Wesley] teased, putting the PS3 controller on the floor between us. "That includes video games."
... "Not fair," I muttered. "Your sword is bigger than mine."
"My sword is bigger than everyone's."

Hehe.

Will Grayson, Will Grayson [Review]

Title: Will Grayson, Will Grayson by John Green & David Levithan 
Genre: Contemporary Fiction
What They Say:   

One cold night, in a most unlikely corner of Chicago, two teens—both named Will Grayson—are about to cross paths. As their worlds collide and intertwine, the Will Graysons find their lives going in new and unexpected directions, building toward romantic turns-of-heart and the epic production of history’s most fabulous high school musical.

What I Say:
Okay. So I'm not gonna lie and say I'm a totally unbiased reviewer. John Green is kind of my hero, so I was psyched to hear he was working with David Levithan (Nick & Norah's Infinite Playlist, Naomi & Ely's No Kiss List) on his next project. That said...

Rating: 4 out of 5 stars

Plot: ooh
So, the Will #1 (for the purposes of this review) story: boy lives near Chicago, has ultragay best friend (Tiny Cooper), and a crush/non-crush on his only friend-girl (Jane). Throughout, Tiny is putting on the world's most awesome school play ever, the friend-girl is back with her ex-boyfriend ("Douchepants McWater Polo"), and nobody has time for poor Will #1, especially after a chance meeting with his name-twin one night. The Will #2 story: emo boy lives in suburb, has clingy-friend-by-default (Maura), and a crush on his secret internet friend-boy. While his meeting with Will #1 isn't what he expects, big surprise it turns out okay!

So okay, while this wasn't the most unpredictable story I ever read, I could still OD on the awesome  enjoy this one. I never got bored, didn't have to suspend my belief (as I sometimes have to when it comes to crazy coincidences), and I was impressed with how the two stories came together.

Characters: wow
I was easily impressed by Green's Will Grayson, despite the similarities I saw with the protags of his other works. Will #1 was meek, indecisive, and a bit whiny, but he was also clever, determined, and (one of my favorite characteristics) full of snark. He lives in the shadow of Tiny Cooper, and yet he holds his own and eventually learns to stand his ground. Sure, we've heard this story before, but Green's talent for writing genuine characters like Will was definitely a highlight.

I haven't read as many of Levithan's other books, but I've caught on his knack for collaborations and the alternating-point-of-view thing. His Will Grayson drowned in his own depression and was probably putting Fall Out Boy's kids through college, but was a pretty resilient, non-whiny kid, thank god. While I knew where the Will #1 story was going, I was always unsure on what Will #2 was going to do next, which kept me interested. (I probably would have set the book down and come back later if it had just been the Will-and-Jane story, haha).

Oh, Tiny Cooper. I would go for a bearhug here, but I might get crushed. Full of pizzazz and around just enough that he didn't get annoying to the reader (though Will #1 would say otherwise). I felt, though, that his character was only there for the others' development. Like, need a revelation about friendship? Here's Tiny with the word! Need a static character to rid you of your nihilistic world-view? Here's Tiny on a swingset! Though, I have to say, I would have paid big bucks to see Tiny Dancer on stage. My god, it even rivaled A Very Potter Musical in awesome. And that is saying something. 

Relationships: ooh
Now, I feel like saying who's-with-who doesn't count as spoilering, unless there's some kind of crazy twist at end. So.

Will #1 and Jane - I liked their snarky banter, their science-related conversations, and their Ten Minutes of Truth. It kind of bored me how they didn't get together until 2/3 through the book, and even then their relationship doesn't change at all. Maybe they hold hands somewhere in there, but that's it.

Will #2 and "Isaac" - Now children, what have we learned about meeting random guys we meet on the internet in Chicago porn stores? Oh boy. Big surprise that didn't work out. Plus, Will was kind of obsessed with him, which is probably unhealthy.

Will #2 and Tiny - I liked this one better (obviously), though it was a little cheesy at times, like they were both suddenly four years younger and a lot whinier when they got together. The ending, though, was pretty squee-worthy, thanks to these two.

Special features: WHOA
If you don't already know. My favorite One of my favorite things in the world is snark. (Which I don't think works as a noun, but suck it, Merriam-Wesbter). Fast-talking, at-times-bitchy, zinger-loaded characters? That's where it's at. For the most part, if I'm thinking it and he just said it, I am sold. Should we get married now or later? I'll buy the flowers and the hotel room. I was glad that in this book, the snark was evenly spread, making every character awesome rather than just the sidekicks (which sometimes happens). There was Will-snark, Tiny-snark, Jane-snark (or, smart-snark), and Will #2-snark. Which brings us to our last section:

Parting Quote(s):

"Being gay is not an excuse for being a dick."

This, my friends, is a fundamental truth. Oh my god, if I could paste this on certain people's foreheads. I would.

[The problem with finding awesome quotes to quote is that there are SO MANY that I'm flipping back through the book entirely unable to choose just one more]